Komische oper: Cendrillon: La FEE

Caroline Wettergreen was a fabulous presence as la Fée.  She was absolutely effortless right at the top of the voice and never compromised the diction to compensate for production.  Her acuti were always spot on and every single staccato was immaculate.  She also has a genuine trill.

- operatraveller.com

 

Caroline Wettergreen’s precise and effortless coloraturas of captivating beauty are a discovery in the role of La Fée.

- GB Opera Magazine

Bergen NaSjonale opera: SWEENEY TODD: johanna

 

Den unge fremadstormende norske sopranen Caroline Wettergreen taklet vokalpartiet med glans..

- NRK

 

Caroline Wettergreen spiller Johanna i det blodige eposet, og for en sanger vi har blant våre egne rekker.

- BA

Premiere of Hans Abrahamsen's "Two Inger Christensen Songs" - Münchner Festspiele:

Caroline Wettergreen sang mit großer Stimmkraft, sie meisterte größte Intervallsprünge, die weit über eine Oktave hinausgehen, in höchster Brillanz.

- Klassik Begeistert

The norwegian opera: Don Giovanni: Zerlina:

Zerlina might have distinctly less overtly showy music than the others, but Caroline Wettergreen made up for it with a genial stage presence and a beautifully edgy tone.

- Bachtrack

Caroline Wettergreen (Zerlina), Birgitte Christensen (Donna Anna) og Marita Sølberg (Donna Elvira) dannet heldigvis sin egen elitedivisjon (..)

- scenekunst.no, Hilde Halvorsrød

Den kjente duetten «La ci darem la mano» er vakkert fremført av Weisser og Wettergreen, det er også Zerlinas lokkende trøstearie.

- Aftenposten

Caroline Wettergreen was a spiky and beautifully sung Zerlina with a voice of crystalline beauty. 

- operatraveller.com

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